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Thursday, 16 December 2010

Production Schedule

Production Sheet



Production
Date Started
Date Finished
Group
Brainstorm
2.11.10
8.11.10
James ,Josh, Emma, Gina
Questionnaire
9.11.10
15.12.10
James ,Josh, Emma, Gina
Target Audience Results
22.11.10
23.11.10
James, Josh, Emma, Gina
Film Classification
23.11.10
24.11.10
James, Josh, Emma, Gina
Synopsis and Treatment
23.11.10
2.12.10
James, Josh, Emma, Gina
Character Outlines
29.11.10
3.12.10
James, Josh, Emma, Gina
Location Sheet
1.12.10
1.12.10
James, Josh, Emma, Gina
Story Boards
2.12.10
7.12.10
James, Josh ,Emma ,Gina
Shooting Script
8.12.10
8.12.10
James, Josh ,Emma, Gina
Logging Sheet
13.12.10
24.1.11
James, Josh ,Emma, Gina







Location of Filming
Date Started and Finished
Time Started and Finished
Group Members
Filming (Gina’s House)
12.12.10
12.12.10
James, Olivia, Josh, Emma, Gina, Ellis
Filming in the cellar
12.12.10
13:00 – 15:30
James, Olivia, Josh, Emma, Gina, Ellis
Filming in the lounge
12.12.10
15:45 – 17:30
James, Olivia, Josh, Emma, Gina, Ellis



























Props:
  • Necklace with a cross on it representing the mum is religious.
  • 3 Plates which over emphasises the mum’s shock as she drops them.
  • Tomato pureé that we put on Ellis’s feet and hands to make it look like burns and cuts.


Equipment:
  • Camera
  • Tripod
  • x2 Tapes
  • x2 Batteries


Crew Members:
  • James Tudor
  • Gina Egerton
  • Emma O'Connor
  • Josh Raby

Production Material

Storyboards














































































Location Sheets




Wednesday, 15 December 2010

Shooting Script and Character Outlines

Shooting Script

The Cellar


1. Close up shot of the girl being taken down the stairs of the cellar with Mary in front of Olivia, camera stays eye level with Olivia so we see her emotion. Mary holds her hand.
2. Medium shot from behind coming down the stairs, see the back of them, see them walking further and further into darkness.
3. Match on action shot of their feet hitting the bottom step.
4. Medium shot of Mary and Olivia reaching the bottom of the stairs.
5. Extreme close up/Match on action shot of Mary’s and Olivias hands as Mary lets go of Olivia’s hand, showing that the bond has been broken.
6. Close up shot of Olivias face with a sad look, her head is tilted up showing her emotion.
7. Medium shot of Mary turning round (face still not shown), Olivia is in the bottom of the shot. This shows Mary leaving Olivia.
8. Medium shot of Mary walking up the stairs from behind, she walks up slowly and calmly.
9. Extreme wide shot of the cellar, showing Olivia at the bottom of the stairs and Mary walking up the stairs (still no face).
10. Extreme close up of Olivias face, showing a tear running down Olivias face.
11. Wide shot from Olivias point of view watching Mary go up the stairs.
12. Birds eye view shot of Mary leaving through the doorway.
13. Medium shot of Mary’s silhouette.
14. Close up of bottom of the cellar door, showing Mary’s shoes, this demonstrates what kind of woman she is as she is wearing high heels, the door shuts.
15. Medium shot of Olivia standing, she looks around.
16. Bird’s eye shot/Extreme wide shot of the cellar, camera moves round as if we are Olivia.
17. Medium shot of Olivia standing up showing her slowly sitting down and curling up into a ball.
18. Match on action shot of Olivia putting her head into her knees. Shot fades into black.


[White writing fades on the black background, ‘5 YEARS LATER’. Text fades after 3 seconds.]


19. Shot fades from black onto older Olivia’s bloody and scarred hand. This shows that she has suffered through the past 5 years.

20. Close up of scars on the neck.


21. Close up of her battered feet.


22. Extreme close up shot of her bloody eye. The camera then zooms in very fast.

The Living Room (Flashback)


23. (Black and White) Close up shot of young Olivia’s hand turning on the television.
24. Match on action shot of Olivia’s hand turning on the television.
25. Wide shot of Olivia sitting down to watch the television.
26. Point of view shot from Olivia watching the television (she is watching a violent film)
27. Close up to extreme close up of Olivias face/eyes as she watches, this puts the focus on her eyes as they are widely opened, can tell she is quite stunned as to what she sees.
28. Close up to extreme close up shot going towards the television, the television is getting bigger, creating suspense.
29. Extreme close up of Olivias wide eyes.
30. Extreme close up of the television.
31. Over the shoulder shot of Olivia, her mum walks in (not shown,) Olivias mouth is open as she is shocked.
32. Medium shot of the floor in the doorway with Mary’s shoes and dress in the shot, a plate is dropped on the floor by Mary’s feet, this creates dramatic effect.
33. Shot on the floor of Olivia and Mary’s feet, Mary walks over to Olivia
34. Wide shot of Mary walking over to Olivia and Mary reaching her arm out.
35. Match on action shot of Mary grabbing Olivia’s wrist.
36. Medium shot of Olivia being dragged by Mary with Mary having just exited this shot.
37. Wide shot of Mary and Olivia walking to and approaching the cellar door with Marys hand on Olivia’s wrist, shot from behind.
38. Birds eye view shot of Mary and Olivia approaching the cellar door, Mary uses the other hand to open the door.
39. Match on action shot of Mary’s hand going towards to door handle and opening it.
40. Shot of Olivia and Mary going down the stairs from behind with the door shutting in front of the camera. Shot fades to black.




Character Outlines


Olivia Arc - Innocent 12 year old from strict Christian background. Goes to Sunday school and is a member of the church choir. She always obeys her parents and recites passages from the bible daily. She has very long mousey-brown hair with blonde highlights. 
Mary Arc - Strict Christian, she's a typical housewife and expects everything to be perfect. She always wears a dress and apron and refuses to leave the house without her crucifix necklace. She has long brown curly hair and forbids the use of straighteners and make up as they're against God's will and believes you should love the way God made you.
John Arc - Strict Christian priest. Makes the family pray at least twice a day. Only wears his clerics and takes a bible everywhere with him. He is tall, skinny and weedy and always slicks his hair back. He also wears rounded glasses.
Jeffrey Fletcher - Only recently moved into the neighbourhood but has already volunteered for the neighbourhood watch scheme. Comes across as nosey and interfering. The Arc family don't approve as he does not believe in God. He always jokes around and has never been seen without a smile on his face.
Linda Fletcher - Chilled out tomboy. Also not approved of, refuses to wear dressed and believes children should be allowed to play as they're only young once. She is an avid believer that women are equal to men and should not just stay at home.


Treatment

Synopsis & Treatment


Treatment            

Before anything is shown, the music starts quietly and gradually gets louder. The music is quite dramatic due to the dramatic opening. The opening shot is of the door opening from inside the cellar. Immediately we are introduced to the little girl and her emotion, we see the girl being taken down the stairs by the mother; the camera stays eye level with the little girl. The cellar will enable us to introduce the mazes and labyrinths theory into the opening. The camera will not show the mothers face so we only see from the girls’ height so the mothers’ identity isn’t revealed straight away, this ensures the partial vision theory. The mother drags her to the bottom of the stairs, the woman then leaves the girl there and returns back upstairs, she does this in a very cold manner, trying to disconnect from the girl completely. A bible is thrown down the cellar stairs at her and the door is quickly shut and locked loudly to give dramatic effect, the loud bang of the door would echo to symbolise the girl will be trapped there for a long amount of time, the cellar is inescapable. She sits at the bottom of the stairs and begins to cry, the audience will realize that this has may have happened at an earlier point I her life as she does not try to escape. This sequence leaves the audience to ponder ‘What has this girl done to get such a punishment?’ The girl is left in there while the shot fades into black.

After the fade out the screen will stay black for 5 seconds, graphics will fade onto the screen in white text saying ‘5 YEARS LATER’ there is a 5 year flash forward to the present day where the girl is now 17. The shot fades in from black to the girl who has been locked in the cellar for the past 5 years; she has not seen the light of day since she was last put in there. She has numerous scars on her fingers from trying to scratch at the door, maybe a few nails missing and bloody hands. The shot starts as a close up on the girl’s bloody hand; proving the question and answer model within this opening. This shot also shows the audience that the girl has endured pain while being down there. The next shot is a close up of the girls closed eye lid which also has some blood on.

The music starts again and the shot zooms in very quickly into the girls’ eyelid. A flash back in black and white ‘old film’ effect begins of the 12 year old girl turning on the television and straight away a very violent and graphic film comes on, the little girl seems to be intrigued by this and wants to keep watching. During this sequence there will be over the shoulder shots of the girl watching the graphic film. There will also be close ups of the girls face to show her reaction to the violence as she has never seen this before. The last shot before the mother enters will be on the shoulder of the girl as she hears her mother enter, the girls head slowly turns towards her mother and slowly her mouth opens in a shocked way. However the audience still don’t see the mothers face. In this sequence the mother takes the little girl by the hand to the bottom of the cellar, just like in the first shot, except it is shot in a different angle than before. Except this time the camera follows the little girl and the mother to the cellar door, with the mothers’ face still unseen as she has turned around. This lets the audience understand that this was what the girl was punished for. After the girl has been taken to the cellar for the second time and the door has been slammed, the camera goes close to the door for a close up, then when the width of the door is in shot, the title of the film will appear in big bold white letters, the shot will then dramatically turn to a black screen as the music climaxes to a loud bang with the title still on the screen, then the title will fade.

The next sequence will demonstrate further the girls’ (Olivia) pain and suffering by showing her parents feeding her. By this time Olivia has barely any strength so it is almost impossible for her to escape, leaving her open to be abused. The sequence will show the mother (Mary) entering the cellar to feed Olivia. She shows Olivias weakness through the shot by having to force feed her. Not only does it show weakness but also the will for Olivia to live, she doesn’t want to live anymore, starvation is her only way out. After much struggling the mother finally manages to get some food down her throat. Mary then leaves swiftly up the stairs and through the door, leaving Olivia on the cold hard cellar floor.

The story continues, Olivia has decided to give it another shot at calling for help, although the numerous attempts through the past 5 years haven’t done much for her. So after her decision she decides to give up on being force fed a little, but not too much to make Mary suspicious. With a little bit of strength she prepares herself. On a day when her parents are out after hearing the door shut (see a shot of the parents leaving from outside), she attempts a violent screech at the top of her voice; she clenches her throat with a disgruntled look on her face as the sonority splinterizes her throat. She gasps and gives it a second attempt, filling her lungs with noxious gas from the cellar, she bursts with sanity. To Olivias exhilaration, no-one has heard her calls, in the cellar, she remains.

After this we see the outside of the house for the first time, in all its glory. This shot is done in order for the audience to see what kind of environment this family live in, but also to make something else stand out to the audience. A family are moving into the vacant house next door (delivery van). This is essential for the audience to know or the plot will not be understood. Therefore this must be made obvious by showing shots of the two houses but distinguished so the audience knows the girl is only just next door. There will be a few shots from inside the new house, seeing the new couple place boxes around the house to show they are new. This family is different from the other, this one is happy and content which provides a contrast.

Next, we see more flashbacks of when Olivia was a child (around 6/7), the way the parents see their daughter, isn’t as it should be. They see her more as an embarrassment to the family, the reason why is still unclear. In the flashbacks Olivia is outside playing in the snow as a happy child. She didn’t have many friends within the neighbourhood, her parents wouldn’t allow it. During the flashback, a woman approaches Olivia and begins playing in the snow with her. The audience is unclear as to who this woman is.

After this we see 17 year old Olivia living in the cellar as usual, all she can wonder is why she is there and how she can get out. Neither of those questions have answers. We see her wonder around the cellar, looking through certain objects which at the moment have no meaning to her. She studies a necklace, just a plain necklace made of cotton, with coloured beads. The significance of this necklace will be made clear at the end of the film.

Olivia gets the instant urge to scream, a force inside of her is going against her will. She releases a constant blast of high pitch speech. Upstairs her parents are eagerly awoken; Mary has an extremely angry expression. She scatters downstairs and opens the door to the cellar and quietly shouts down the stairs at Olivia, who is still screaming with terror. Olivia ceases to stop, Mary runs down the stairs and on her way she trips up on something on the stairs, she tumbles to the dead cellar floor, knocking herself out cold. Mary had left the door open.

Without hesitation Olivia has worked out that the door is open, and she flees for her life. She runs up the stairs as quick as she can in the total darkness.  She feels like she has been running for ages, as if the door was getting further and further away. Eventually she reaches the door, with a slight grin, she dashes for the front door, which she remembers is to the left. The father has heard everything that has just happened, and so, runs to the bottom of the house stairs with a stun gun. He sees Olivia and stuns. Her straightened body topples over onto the floor. The shot fades.

The shot re-opens with 

Audience Research

Results Analysis
Candidate Interviews





Results
As you can see here, the majority 
are ages between 15 and 19.








This graph shows that the majority of the people 
who took this survey were women.








































This shows that the most popular types of thrillers
 are psychological and action/adventure.














































The majority thought that the hero should be male.




































As you can see most people thought that the music played
 the biggest part in building suspense during a thriller.


































The majority believe a fast paced storyline is better than a slow paced storyline.
Here, the public shows that they prefer thrillers to be set in the evening and night time.
The results for this question varied quite equally. Most of all, people prefer to know all of the facts.
This results is a close call, but it is obvious the majority prefer a non-linear narrative.
This result tells us that spiders are their biggest fear.

The results are close again, but the majority chose that they don't mind knowing or not.
The majority didn't mind whether they know if the villain survives or not.


The majority thought a derelict building would be the best setting for a thriller. But a substantial amount voted for somewhere else.
It is clear that most people would want to see young people in a thriller.
Font 5 seemed to be the favourite for a thriller.
Thunder and lighting is a clear favourite for thrillers as it is surprising and builds tension.